Creating Digital Color Variations

Along with making patterns, my other favorite digital technique is making color variations, both of my patterns and my paintings. These variations can be fairly straightforward color-themed shifts, or they can involve more complex effects and alterations beyond simple color. The simpler changes you can see in part of my Forest Spirit variation series, where I’ve shifted the colors according to the elements. The air piece among those variations, though, involved more complex adjustments since flipping it to a negative threatened to drown out any detail in the environment. You can see a sample set below, for the full set of variants see the Forest Spirit variations link earlier.

 

 

 

 

Some of the transformations are more involved, especially for patterns. I’ll use everything from color inversions, color overlays, pattern overlays, and more until I get something I like and that I feel will look good on products. Honestly, I think I’ll play with every aspect of Photoshop in the process! See my digital pattern Kaleidescape to see a breakdown of how it, in particular, evolved.

If anyone has relevant questions, please leave them in the comments and I’ll do my best to answer.

Video: The Soufflage Process

 

One of favorite techniques at the moment is Soufflage, which is a surrealist technique invented by Jimmy Ernst around 1940. Since I’m always caught up in my head and overthink everything, it’s nice to let go and just blow ink around to see what images develop. (Traditional Soufflage was done by blowing paint.) After that, I let it sit for a while as I decide what I see in the ink, and then build a painting around that.

I find this part of the process quite relaxing, so I hope you find watching to be relaxing as well. Here I’m showing it at 2x speed to keep the video from being 10 minutes long. Enjoy! And I’d love to hear what you see in the ink, feel free to tell me in the comments.

 

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