Creating Digital Color Variations

Along with making patterns, my other favorite digital technique is making color variations, both of my patterns and my paintings. These variations can be fairly straightforward color-themed shifts, or they can involve more complex effects and alterations beyond simple color. The simpler changes you can see in part of my Forest Spirit variation series, where I’ve shifted the colors according to the elements. The air piece among those variations, though, involved more complex adjustments since flipping it to a negative threatened to drown out any detail in the environment. You can see a sample set below, for the full set of variants see the Forest Spirit variations link earlier.

 

 

 

 

Some of the transformations are more involved, especially for patterns. I’ll use everything from color inversions, color overlays, pattern overlays, and more until I get something I like and that I feel will look good on products. Honestly, I think I’ll play with every aspect of Photoshop in the process! See my digital pattern Kaleidescape to see a breakdown of how it, in particular, evolved.

If anyone has relevant questions, please leave them in the comments and I’ll do my best to answer.

The Big Picture

I came across an awesome and somewhat local idea called The Big Picture. The general idea of the project was to collect square black and white drawings and arranged them so they each occupied part of a grid of a larger image. (In this case, the image is a banner from a photo of a forest in North Vancouver, BC, Canada.) The individual submissions are small enough that giving each a background color for that section of the photo allowed The Big Picture to be both a photo of a forest and a collection of individual images, all at once.

But this project didn’t just involve a drawing. The drawing needed to be a moment of your own life’s story, submitted along with a short explanation of what this moment was and where it featured in your life. In addition, everyone submitting had to share their own connection to Vancouver, whether they lived there or had visited or simply wanted to visit someday.

A friend had given me his old drawing tablet a while back. I had it all set up, but had been focusing on painting, so hadn’t used it yet. This project seemed like a great reason to pull out the tablet and draw on there. Of course, doing so meant a bit of humility since it takes a while to get used to drawing on a tablet with the reduced physical feedback (compared to drawing on paper). You can find my submission here. If you feel like it, take some time to look around in The Big Picture and see some of the others as well!

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